2100 HLG content in its native color space. With the new HDR workflow, Premiere Pro can process Rec. HDR workflows were possible with this approach but it had drawbacks. 709 color space, but by processing color in 32-bit floating point, Premiere Pro was able to preserves data outside of the Rec. “Historically, Premiere Pro used the Rec. 2100 PQ (ST2084), and additional format support, like H.264, and HEVC. The first implementation of this workflow addresses the needs of professional broadcasters and in upcoming releases, we plan to add support for other HDR working spaces, such as Rec. With the new native HDR workflow you can import, edit, color grade, and export HLG content in Premiere Pro. Apple ProRes and Sony XAVC Intra are both fully color managed and GPU accelerated throughout the HDR pipeline. 2100 HLG thanks to a new sequence working color space option. “With the September 2020 release of Premiere Pro version 14.4, you can work natively in Rec. I pulled multiple excerpts both of these to supplement this tutorial. This second User Guide is online, but has less information. This one is the most useful, but doesn’t appear on line. NOTE: Adobe has published two User Guides. With this version, Adobe made working with HDR media easier, but it still a long way from easy. Expect continual updates over the next several versions of Premiere. While this update is a big improvement over how Premiere handled HDR media before, the entire workflow remains a work-in-progress. 2020 update, Premiere Pro can now handle some HDR material natively.
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